Books shelved under “Historical Fiction”

Sometimes the best twist is not a surprise. Jeffrey Eugenides could have concealed the nature of Cal Stephanides' condition, could have saved it for a big reveal and dropped only tantalizing hints throughout the narrative. Instead, he announces that Cal is an intersex man upfront, and then proceeds to tease us for the rest of the story. Eugenides makes the reader into a participant in Cal's indulgent memoir instead of an audience; we're in on…

I have a confession (my reviews often start with confessions because reviews are as much about the reviewer as they are about the book): I don't much like monster movies. Unlike many film buffs, I do not revel in the campiness of 1940s and 1950s costuming; I do not drool over stop-motion animation or long for the good-old days when the monster was some guy in a suit, not a tennis ball married to a…

I love Regency and Victorian fiction. In those halcyon days of a declining empire, men and women of rank fused scientific exploration with military daring. The blank spaces on the map were shrinking every day, and as such, this age of exploration and adventure was also an age of introspection. Strict notions of propriety and visible class barriers contributed to meditations on what makes one human, on the roles of birth and upbringing in the…

There is a theory that views all of history as the result of actions by individuals at pivotal moments. These "Great Men" (or, let's be fair, "Great People") are the movers and shakers of historical periods. Leaders like Alexander the Great, Julius Caesar, Elizabeth II, and Napoleon Bonaparte shaped society. Scientists like Sir Francis Bacon, Sir Isaac Newton, and yes, Galileo Galilei shaped our perception of the world. These are the people whose mark…

I won this in a Goodreads First Reads giveaway, because I did not read the description closely enough to realize it is historical romance rather than mere historical fiction. I tend not to read romance, but as far as my experience with them goes, Tempted by a Warrior is not that bad. The story (if not the characters or the romance) held my interest, and the historical in "historical romance" helps a lot. Nevertheless, there…

It is a widely accepted fact that our passions and interests are not evenly distributed among the eras of human history. Some prefer tales of neolithic courage; others are interested in ancient Greece, Ilium, Rome. I have a soft spot for medieval and Tudor England; even Victorian England has its allure. Late 19th-century America, not so much. I do not avoid books set in that time, nor do I go out of my way to…

Halfway through World Without End, I gave this summary: "sex and architecture in the English countryside, 1337." This is not entirely accurate; World Without End is not entirely composed of sex and architecture—just mostly.

I have plenty of complaints about this book. The characters are diverse but flat; the themes are of dubious worth; the conclusion is far from satisfying. Like I said, plenty of complaints. But let me start with something I…

I have long had a somewhat unhealthy admiration of British humour, which is somehow superior to most other forms of humour in its unique blend of intelligence and absurdity. And no institution, as it is portrayed in fiction, epitomizes British humour better than that of the British butler. Think of Blackadder (in Blackadder the Third) or Batman's Alfred. These unflappable, infallible men serve their employers with a grace that almost defies description. Even in…

Dawn of Empire delivers on its promise of an action-filled battle for survival against barbarians from the steppes. The strategy that goes into designing defences for Orak, from its crucial wall to the ditch in front and the archers behind, is impressive. Also impressive is the inherent conflict in the ideologies of the steppes people and the villagers. Sam Barone gives us a wonderful sense of the stark contrast between these two societies, and why…

Cherie Priest comes highly recommended to me from many people whom I respect; Boneshaker has been lauded most of all of her books. I couldn't fathom Fathom, and that made me apprehensive about my next Priest experience. Boneshaker had two difficult tasks: it had to live up to the expectations heaped upon it by so many others, and it had to be better than Fathom. In both respects, it succeeded, and I have…

Second review: November 2017

Gosh, has it really been 7 years—nearly 8?—since I read this? Feels like no time at all.

Anyway, after not enjoying Who Fears Death, I was struck with a sudden … craving (?) for this book. Just an urge to re-read it. I can’t explain why. I just knew it would help.

And it definitely did. I have little to add about the book itself in this second review—my first…

This is my first book of the year, and it took me quite some time to get into it.

Few things annoy me more than when an author decides to ignore such a useful stylistic conventions as using quotation marks to offset dialogue! I like quotation marks. It makes the book easier to parse and gives me a clear idea of who is saying what. I discarded Blindness for similar reasons. Had I not been…

Some books you can describe with a single sentence. This is one of them: "Vampires kicking Nazi ass." I mean really, how can that possibly go wrong?

That's a rhetorical question. It can't. Still, actual execution can range from mediocre to eye-gougingly awesome. While Sarah Jane Stratford's The Midnight Guardian slides fluidly along this continuum, it's closer to the latter than the former, if only because of it's breathtaking characters (that's a pun). As far…

I'm not sure what attracted me to The Sealed Letter. It's a book that exists in that intersection among historical fiction, fiction "based on a true story," and relationship drama fuelled by larger issues of gender and individualism, the sort of book that can appeal to so many people yet go unnoticed because it looks "too historical" or "too much non-fiction" or "too romantic." When I started reading The Sealed Letter, I hoped…

Recipe for a historical mystery: 1) Find an unsolved mystery from a past time period. 2) Think up a plausible solution for the mystery, then take some historical characters and have them discover the truth. 3) Come up with a plausible explanation for why, if these people solved the mystery, it remains unsolved to this day.

Recipe for a historical literary mystery: repeat the steps above, shake vigorously, and add a dead writer of your…

Honestly, I'm a little intimidated.

I didn't realize that The Master and Margarita is an "unfinished" masterpiece, complete in its narrative but still unpolished prior to Bulgakov's death. As with any published unfinished work, there's a certain amount of third-party editing that will alter the interpretation of the text. To compound this problem, I'm an Anglophone reading a translation from Russia. I'm not as familiar with Russian literature or Russian history as I could be.…

Welcome to a typical "forbidden fruit" romance scenario in an historical setting. Aemilia is a discontent vestal virgin who manages to fall in love with a man. Naturally, since the vestals must remain chaste, this is considered a bad thing, and so Aemilia is torn between her loyalty to Rome and her love of a slave determined to overthrow Rome. Drama!

Narrated from Aemilia's point of view, the story takes on an intensely personal tone.…

As a caveat, I found the description on this edition of the book quite misleading. Its tone is glib. Phrases like "task force" and "add in a hapless fire inspector who's just trying to get his paperwork in order" cultivates a tongue-in-cheek feel that made me expect a zanier book than Cherie Priest delivers. So if you're basing your decision to read the book on the description, don't be surprised if Fathom defies your expectations.

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I dug into The Years of Rice and Salt with much gusto, for its premise was an intriguing example of why alternate history can be so seductive. Yet almost immediately, my expectations were completely torn apart and shoved in my face. Sometimes this can be good; other times it ruins a book completely. In this case, while I quite enjoyed some of the philosophical aspects of the book, it failed to sustain my interest for…

This book was like reading white paint. Yeah, I didn't think that was possible either, until I read The King's Grace. Although this book spans two decades and covers the rise of Tudor England, I felt throughout like nothing happens, and twenty years became one bad week for me.

I started this book with high hopes—don't ask me why, except perhaps that I love British historical fiction and for some reason this book…