Books shelved under “Fantasy”

In The Engine's Child, Holly Phillips has created a rich and interesting world where everyone quite literally lives on an island in a vast ocean. The intrigue among the three main factions--the conservatives who insist on keeping with traditional ways, those who want to find a way back to the land of their ancestors using magic portals, and those who want to master the ocean and find new land--is what fuels most of the…

I will be brief, since I don't read much horror and am generally ignorant of Lovecraft's work, so I won't try to make a general statement based on this one story.

At the Mountains of Madness itself was OK, not great. Lovecraft is far more concerned with describing the extinct society of the Old Ones and their struggles with surviving Earth than injecting genuine dread into the story. It left little impression on me.

I…

In many ways delicious, The Queen's Bastard is a well-written, evocative piece of alternate-Elizabethan-era fantasy. Unfortunately, defects in both its plot and its characters detract from the otherwise beautiful prose of C.E. Murphy.

At first I enjoyed the stalwart strength of the protagonist, Belinda Primrose. An unacknowledged bastard of Lorraine (Elizabeth), Queen of Aulun (England), she has been raised and trained as an assassin by her father, Robert Drake (Francis Drake). Belinda is, in essence,…

Neil Gaiman is one of the world's leading storytellers, and The Graveyard Book great story--several stories, in fact, all bound up into one nice narrative.

I have great respect for Gaiman because he does not patronize children. The Graveyard Book is, in many ways, a children's book (although adults will enjoy it as well). Unlike much of the mass culture drivel produced for children these days, Gaiman does not treat children like they are idiots…

I picked up Kushiel's Dart because I noticed one of the later books in this series at the library, but I wanted to start at the beginning. I'm glad for that. Jacqueline Carey weaves a dense, intricate narrative--I would have been lost had I started in the middle!

Carey's writing was great, although the prose was often indigo-bordering-on purple, and I could have done with a little less exposition. There were times when the world-building…

The Gypsy Morph is the dynamic, action-packed adventure that concludes the Genesis of Shannara trilogy. All the same protagonists return to finish the journey they began in, led by the eponymous gypsy morph, Hawk. The fate of the the races of both men and Elves rests upon his shoulders, for he is a creature of magic who can lead the survivors of a broken world to the promised land.

Overall I enjoyed this book for…

It's always delightful discovering another author in one's favourite genre whose entire oeuvre you want to read after finishing just one book.

Blood and Iron begins in media res, with an agent of Faerie--the Seeker of the Daoine Sidhe--and an agent of humanity--the Promethean Club's Matthew Szczegielniak--chasing the same quarry: a faerie changeling. After introducing us to these two main characters, the book pulls back in scope and reveals the centuries-old conflict between Faerie…

George R.R. Martin's A Song of Ice and Fire books were some of the first fantasy I read, back when I was in grade seven. One of my friends introduced me to fantasy by way of The Belgariad, and after polishing that off, I read the first three A Song of Ice and Fire books (yes, all three were out then, and the fourth one just came out recently!). Martin is one of my…

Although vampires play an important role in this book, vampirism is not the central subject. Rather, Hubbard uses vampirism as the method to explore a girl coming to maturity amid a broken family unit. Hubbard addresses questions of ethics and coming-of-age. Unfortunately, the story is mediocre.

My main problem is a lack of conflict. Each time the story approaches something that resembles a high-stake scenario, it shies away at the last moment. For instance, after…

Goodkind continues the extended adventure begun in Chainfire as Richard struggles to reunite with Kahlan in the face of the approaching Imperial Order. I enjoyed Phantom, because it finally has Richard acting on a scale grand enough to affect the plot in a way I haven't seen since Blood of the Fold. In the intervening novels, Richard usually gets drawn off on a tangential adventure that then loops back into the plot. In…

Might as well just call this book, "And everyone lived happily ever after."

I acknowledge that I may have some sort of sadistic streak in me to want the author to kill off main characters, or at least have something bad happen. Whenever it looked like someone we cared about was going to die, I cheered (thank you for staying dead this time, Ann). The fact that Goodkind broke all the rules he established does…

This was like a breath of fresh air after reading the previous eight books. Finally, something new! And the glimpse of the ending! Perhaps it's just because I've been reading the entire series back to back, but it seems that it's long and plodding in some parts, then bizarrely exciting in others.

The premise of the book, that a spell has caused memory of Kahlan disappear from everyone's minds except Richard's, is new for Goodkind.…

After reading Faith of the Fallen, The Pillars of Creation let me down.

It seems like a great big detour away from the plot. I actually don't mind that Richard and Kahlan aren't present until the end, nor do I mind the plot of this book itself. Those factors alone would have made the book fine. The book itself, however, is just poorly written.

The protagonist, Jennsen Rahl, is half-sister to Richard and a…

Perhaps the best book in the series so far. Once again, Goodkind deprives Richard of the Sword of Truth so that he can take him on a philosophical journey that avoids bloodshed and uber-powerful moments of rage. In fact, Richard is rather laid back in this entire book. This is justified by what he experienced in the last book and his disillusionment with his own methods of trying to beat the Imperial Order.

Faith of…

In the fifth book of the Sword of Truth series, Goodkind introduces another magical threat from the underworld ready to tear the veil and end life as we know it: the chimes. Of course, only Richard has the brains and the guts to stop them. The catch: he doesn't have the Sword of Truth, nor does he have the time to retrieve it from Aydindril. With half his magic virtually useless without the sword, he…

The only part of this book that truly aggravated me was the end. Once again (and I can say this without spoiling it, because I won't reveal any details), Richard manages to avoid the consequences of the tragedy introduced during the rising action. Maybe I'm just sick. Maybe it's wrong of me to want characters to suffer. But this guy's luck is incredible.

The redeeming aspect of the end is that there are sort of…

This was better than the previous book, Stone of Tears, but not necessarily great. My major problem with The Stone of Tears was that the majority of the book was a slowly-paced journey across the land from the Mud People to the Palace of the Prophets. It only picked up toward the end. In this book, because time and space are relative, the journey from Aydindril to the Palace of Prophets occurs over the…

This book was bad. I found parts of it way better than the first book, Wizard’s First Rule, and parts of it abysmal. The only saving grace was the fact that I'm a sucker for crowning moments of awesome, and this book has quite a few.

Richard seems to be turning into a Mary Sue (or Marty Stu, if you have it that way). Don't get me wrong--I love to torture a character, rip…

My first fantasy experience, and what sparked my love of fantasy, was The Belgariad by David Eddings. Since I've matured (that was in grade seven), I've come to realize that much of epic fantasy is, in fact, fairly formula-dry stuff. Not that there's anything wrong with that.

Most of Wizard's First Rule is predictable if you are familiar with the genre. In the first part of the book, combined with a terrible amount of dialogue…

As a neophyte of Salman Rushdie's work, I was not fully prepared for The Enchantress of Florence, although I should have been. Rushdie possesses an uncanny ability to manipulate perspective. In his stories, the flow of time is always questionable, and subject to change--if it flows at all. And his characters are larger-than-life, capricious archetypes that embody the virtues and flaws of humanity.

In this novel, Rushdie runs two stories parallel to each other:…