Review of The Giver by

Book cover for The Giver

The world of The Giver, Jonas' world, is one without sunlight, without colour, without anger or love or indeed any strong feelings at all. Sexual urges are a suppressed by a daily pill. Jobs are assigned by the community's Council of Elders. The only one who remembers—whose job is, in fact, to remember—what life was like before humanity went to "Sameness" is the Receiver of Memory. And Jonas is the lucky new recruit for the job.

As a reader of hardcore fantasy, I noticed that Jonas' relationship with the Giver is as an apprentice's relationship to a wizard. The apprentice often does things he's not supposed to do, and as he learns, he begins to question the world around him, often with the encouragement of the wizard. Likewise, the Receiver's position in the community is as a sort of shaman, offering counsel based on what wisdom the "spirits," the memories he holds, can give him.

That's the key to the world in which Jonas lives. Despite their retention of advanced technology, people have chosen to live in a too-stable society, have deliberately engineered their world and themselves so as to ensure that society remains stable and "same" for as long as possible. The mentor/apprentice relationship of the Giver and Jonas exists for the benefit of the reader, so we can understand why this world is an undesirable one. And Lowry fleshes out this world in a subtle way, through Jonas' interactions with his friends and family, as well as a little exposition here and there. The result is a dual-layered story that makes The Giver young adult fiction adults can still enjoy. I saw "release" for the euphemism for euthanasia that it was long before Jonas learns about it, but one doesn't have to be quick to connect the subtextual dots to get something out of this book. I suppose that's why it deserves all these awards and whatnot. It makes kids think. I can go for that.

The Giver earns high marks for its depiction of a utopia. Almost from the first page, I was stuck in a cringing expression as every sentence went against the very core of my being, went against my ideas of what it means to be free, to be an individual, and to be happy. Upon closer scrutiny, her society isn't as seamlessly functional as Lowry tries to make it, but she still deserves praise. It was truly terrifying and a strong reminder of why I would never want to live in a perfect world.

But I can't shake the feeling that The Giver is missing something, something essential for me to rave about a book's quality. Was it the fact that Lowry doesn't explain why everyone chose to go to "Sameness"? Plenty of post-apocalyptic fiction never bothers to explain How We Got Here. Well, what about the lack of any real conflict until the end of the book? But that's part of the utopian vision Lowry's examining. No, it's the ending that bothers me. And here's why.

Utopian fiction often consists of an act by the rebellious protagonist designed to change society or at least make people "realize" that life can be different. Still, the outcome of the act can be ambiguous, with society remaining unchanged and the protagonist often defeated—the idea being that the author's intention is to provoke thought in the reader. (The former, "happier" approach seems more prevalent in movies. I think the studios think it sells more.)

In The Giver, Jonas succeeds in his rebellious act. We never really learn if it has the effect on his community that he hopes it will. (The fact that we don't learn what happens to Jonas doesn't bother me at all.) My issue, however, is that I had a "So what?" moment during the ending, because Jonas appears to be doing exactly what the previous, failed Receiver trainee did: leaving the community to deal with its memories itself. Granted, Jonas is going fugitive instead of euthanizing himself, but the goal is the same. After spending so much time explaining how the previous Receiver trainee's actions didn't have much of an impact, I was underwhelmed that Lowry's master plan was "more of the same, try it again."

With worthy themes and an interesting look at utopia, The Giver deserves some of its constant praise. Nevertheless, there's a weakness in its final act that undermines the book's narrative. Yes, The Giver is a powerful reminder of how much we like our sunshine. But it also makes me hope that if you ever have the chance to take down a utopian society, you come up with a better plan than Jonas does. The Giver sets the stage but is always grasping at ideas that seem beyond its reach or ability to convey. This is good utopian literature, but there is much better utopian literature, for kids and adults alike.

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