Books shelved under “Space Opera”

(In my best Majel Barrett voice.) Last time, on my review of the Uplift Storm Trilogy…

• Alvin et al were rescued from their wrecked diving bell by none other than the submerged crew of the Streaker.
• a Jophur starship landed on Jijo, capturing the Rothen ship and promising a slow, painful annihilation if the Jijoans did not divulge the location of the Streaker (if they did, the Jophur promised a swift annihilation).
…

There are some great moments in this book, moments worthy of quotation. There is tea; there are gods; there is Vogon bureaucracy and Vogon poetry. And Another Thing... sublimely embraces the h2g2 universe by grabbing hold of it by the scruff of its neck and shaking it vigorously until more characters and random plot events fall out.

And I didn't like it.

See, h2g2's humorous nexus of improbable events with zany characters is the icing…

Ah, classic space opera: futuristic setting, oddball characters with oddball philosophies, and ships and science well beyond what we ken. Unlike a good deal of space opera, Nova is not a doorstopper. It is more modest in length and in focus, though not in scope. The cast of characters is small, but the events have large repercussion. Captain Lorq von Ray certainly has much in common with Captain Ahab, and obsession is an important…

I don't know about you, but I spend an inordinate amount of time meditating upon the far future of humanity. I don't just worry about the future of my generation, or the future of the generation after mine, or the future of a couple of generations down the line. I'm talking one-, ten-, fifty-thousand years into the future. Will humanity still exist—would we recognize it as humanity even if it does? How many times between…

With some books, as was the case with A Fire Upon the Deep, I began reading without any clear idea of what the book was about. The cover copy was less-than-helpful, because the person who wrote it had a clear grudge against commas. And, after reading the book, it's clear the cover copy is full of inaccuracies and hyperbole to the point of complete misrepresentation. Suffice it to say that, for the first chapter…

Fresh from the worldbuilding present in Perdido Street Station, it's not surprising that Shadow of the Scorpion's worldbuilding does not impress me much. This is straight genre fiction—and that is not a bad thing. It appeals to the ardent science fiction fan in me by using standard tropes or settings like artificial intelligences running the society; a "space army" composed of infantry, marine troops, etc.; an alien enemy that is distinctly non-human in…

Warning: This review contains spoilers about the review. Continue reading only if you have already read this review or if you are unconcerned about ruining the ending of this review.

Open with a joke about the size and weight of this book making it good for a number of non-reading-related purposes. Go on to comment on the excessive amounts of esoteric terminology.

That's probably how most reviews of this book begin, and they're probably right…

I had a good time reading Consider Phlebas. Iain M. Banks manages to mix technobabble with description and dialogue to come out with fascinating societies and intense action sequences. The plot was simple, and pretty linear, but it got the characters where they needed to go and blow things up. Beneath it all, there were the questions Banks raises about what it means to be human, about how we plan to interact with machines…

I can best summarize my feelings about Hyperion like so: why did someone let me read the terror that is The Terror when I could have read a good book by Dan Simmons?!

Frame stories are not my favourite way to conduct business with a novel. In general, Hyperion's greatest flaws lie within its structure, frame story included. That and the abrupt ending devoid of any real conclusion are probably the two chief sources…

From the first line, this book hooked me: "The day war was declared, a rain of telephones fell clattering to the cobblestones from the skies above Novy Petrograd." A post-Singularity descendant of humanity, the Festival, arrives in orbit around the backwater Rochard's World. The Festival's willingness to share anything in return for information results in economic and social upheaval as the repressed citizens of Rochard's World find they can have anything they want: technology, money,…

In the sequel to Hidden Empire, Kevin J. Anderson offers us glimpses of the galaxy's past even as we look to its future. Dark secrets of the Ildirans,the hydrogues, and even the worldforest on Theroc are revealed throughout A Forest of Stars, and soon humanity realizes it isn't alone in this galactic conflict. That's really what the second book of the Saga of Seven Suns is about: ramping up the scope.

The natural…

Replete with political intrigue, a powerful alien aggressor, and parables of human folly, The Saga of Seven Suns has everything a reader wants from an epic science fiction adventure. Kevin J. Anderson has created a vision of humanity's future both comfortable and unique. While adhering to many established tropes in space operas, including a handwaved FTL drive and form of instantaneous communication (sort of), Anderson has crafted interesting political entities and distinct cultures with often-conflicting…

One of those books that picks you up and takes you on a journey. I was ambivalent about it at first, but I quickly became enthusiastic. Reynolds' style allows for an ease of exposition: in a couple of sentences, he can give you an idea of the nature of several different civilizations without going too in depth. This skill allows him to construct the epic scope required for a space opera of this nature.

And…