29 reviews found
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So this appears to be the last book, at least for now, of Elizabeth Bear’s Promethean Age series. The series is actually two loose duologies: Blood and Iron and Whiskey and Water are set in the modern day; Ink and Steel and this book are part of the Stratford Man duology, set in a Faerie-infested Elizabethan England. As my previous reviews of books in this series make clear, I am incredibly ambivalent. Bear’s commitment to…
Oh, let me count and enumerate the many and various ways I love Neil Gaiman and, in particular, American Gods. I love it because I am insecure and, at times, unsure of my love for it. I love it because it isn't perfect, yet it's still wonderful. I love it because it promises gods and gives us people, and somewhere along the way, somehow, Gaiman manages to make…
There are some great moments in this book, moments worthy of quotation. There is tea; there are gods; there is Vogon bureaucracy and Vogon poetry. And Another Thing... sublimely embraces the h2g2 universe by grabbing hold of it by the scruff of its neck and shaking it vigorously until more characters and random plot events fall out.
And I didn't like it.
See, h2g2's humorous nexus of improbable events with zany characters is the icing…
Panchaali enters this world through a holy fire, an unwanted boon granted by the gods in addition to her brother, the child destined to kill their father's greatest enemy. She marries the five Pandava brothers, the eldest of whom bets and loses his kingdom to their cousin. After twelve years of exile in the forest, the cousin refuses to return the kingdom, and the Pandavas go to war against the Kauravas. It is a story…
I love Bible stories. I have a vague memory of our family doctor's office, and how I would enjoy going there because there was a Children's Bible—or it might have just been the Old Testament—and I loved reading the story of Genesis from it. Of course, I was a child back then, and as my religious tendencies have gone from agnostic to atheistic, one might expect my enthusiasm for the Bible to dim. Quite the…
The cover of Norse Code is misleading. It has a classic "urban fantasy" pose, the woman holding a phallic weapon and looking over her shoulder at the reader. Really, Norse Code is nothing like the cover or the description on the back of the book. Although it begins like other urban fantasy books, it quickly becomes something different. It is an epic tale focused through the lens of postmodern apocalypse, where metaphor becomes literal, and…
Why, why did Blood and Iron and Whiskey and Water precede this book?! Ink and Steel possesses the best qualities of its predecessors and few of their flaws. Elizabeth Bear's skill flourishes in an alternate Elizabethan England where Christopher Marlowe and William Shakespeare are agents for the Queen and have dealings with Fae.
By far, my reviews of the previous books singled out an overly-complicated mythology as the Promethean Age's major flaw. Ink and Steel…
Significantly better than the first book in this series, Whiskey and Water picks up the loose ends from Blood and Iron and sustains them through half the book, building to a much more satisfying climax consisting of multiple battles and tense magical standoffs. My gripe: why did I have to wait for book 2 for all that heavy worldbuilding to pay off?!
As with its predecessor, Whiskey and Water suffers from a surfeit of mythology…
I respect Ursula K. Le Guin greatly, for although she tackles many difficult and controversial topics, she never beats you over the head with her opinions. Works like her The Left Hand of Darkness allow you to read an intriguing story while at the same time, if you want, open yourself to new ideas.
Le Guin brings a feminist voice to the eponymous Lavinia, a character from Vergil's Aeneid. She tells Lavinia's story from…
Showing 21 to 29 of 29 results