Review of A Tale of Two Titties : A Writer's Guide to Conquering the Most Sexist Tropes in Literary History by Meg Vondriska

I have followed Meg Vondriska on Twitter for a while now, and when I heard she was coming out with a book based on the concept of her @MenWritingWomen account, I ran, not walked, to the bookshop (well, I emailed them) to preorder. A Tale of Two Titties takes the basic concept of this account, amplifies it, but also twists it into something far more subversive and acerbic. The result is entertaining and potentially genuine helpful, albeit at times repetitive.

The book is loosely organized into chapters based on common issues with how women are portrayed in fiction. From anatomically impossible descriptions of breasts (or other parts of AFAB bodies) to stereotypical roles for women, this book covers the various ways men (because it is almost exclusively cis men) write. Set up, in jest, as a course for an aspiring author to write better, A Tale of Two Titties doesn’t hold back.

The book is at its best, in my opinion, when Vondriska lambastes specific examples of terrible writing of women. However, I also understand one cannot make an entire book out of quotes from other people’s writing (or at least, then it would be a sassy concordance and not a writing “advice” book). Vondriska has smartly chosen to expand the premise of the original account into something more suitable for a book length. Walking the line between parody and real advice is challenging, however.

A Tale of Two Titties is a joyfully creative subversion of sexist tropes. Vondriska goes beyond merely critiquing or lampooning how men write women and elevates her schtick to a new plane. There are exercises in every chapter to prepare the reader to write their breast. I particularly enjoyed a flowchart, “Genre Detour,” to help define which genre one is writing based on the presence of women and descriptions of their bodies. All of this is to say, this book’s parody works because it’s just so damn inventive.

However, I’m not sure the people who most need this book fall into its audience. Women are more likely to pick up this book in terms of its marketing and style, yet they aren’t the ones who need to read this. I nodded along, and while maybe there’s one or two points the book makes that you might not have realized, you will too. Men who want to write better female characters but aren’t sure how might not see this book, or consider to to be “for” them. Perhaps this is merely a marketing issue more than an issue with the book. It doesn’t detract from my enjoyment.

I don’t really have much else to say about this one. If you’re down for this style of humour, you’re going to enjoy this!