Who Fears Death reminds me a lot of Dhalgren, another seminal work of post-apocalyptic speculative fiction. Nnedi Okorafor explores the intersections of tradition, sex, and sexuality; of history and intertextuality. The narrative, while slightly more straightforward than Dhalgren, still challenges and requests a certain level of involvement. Although I didn’t enjoy this as much as I wanted to (and probably won’t watch its adaptation), I think I understand why it has captured the…