Books shelved under “Post-Apocalyptic”

Paolo Bacigalupi brings his unique style and science fiction sensibility to young adult fiction with Ship Breaker. If you were all, “I want my kid to read some socially conscious SF about the future of our society as global warming slowly takes hold” but were also all, “Holy shit The Water Knife has a lot of swearing and death in it!” then Ship Breaker is the book to recommend. It reminds me a lot…

I didn’t know what to expect from A Canticle for Leibowitz, because despite being aware of its classic status, nothing that I read about it really prepared me for it. So I’m going to try to leave you with a clear (but spoiler-free) idea of what this book is about so you will be encouraged to dive into it. It is deservedly a classic, eminently accessible, and very interesting. If you’re one of those…

Louise O’Neill is scary good at writing amazing but depressing books. I thought her second novel, Asking For It, was powerful, but her debut, Only Ever Yours, is arguably even darker. I’m happy I picked it up, but not happy having read it—this is about as far from a feel-good book as one gets.

I want to put some trigger warnings on this book and review but am not sure where to draw…

Look, this isn’t really a novel.

Seriously. I know that it has that stupid “A Novel” subtitle that dangles off the end of a book’s cover like an appendix because some publishers worry that readers are too dumb or lazy to look at a book’s description to figure out if it’s fiction or non-fiction. But in this case, that label is a lie—or at the very least, a simplification. Seveneves is not a novel. It…

This is an odd book. I'm pretty sure it’s good, but I’m not sure I liked it. It took me far longer to read Black Feathers than I usually take to read any book. Part of that was because I spent more time focused on other things over the past few weeks. Most of it, I think was avoidance. Joseph D’Lacey’s writing is good; don’t get me wrong. But I was never in a hurry…

Meehhhhhhhhhh?

I’m not sure what prompted me to grab a book so obviously in the dystopian YA camp. I guess it’s that bad habit of reading widely—I mean, it’s great in the sense that I discover books I love I might not have read otherwise. But it means I tend to read a lot of books that I find mediocre even when I know others are going to love them. It’s one thing to rip…

Feed is not a comfortable novel, nor is it comforting. I seem to be on a string of these sorts of YA novels lately—not mention my Animorphs re-read. I feel strongly that these types of books are valuable for young people. There is something to be said for escapism and the reassuring, but somewhat inaccurate, message that some of the most popular dystopian YA is giving that “youth can fight the power.” But I am…

Why is it Ursula K. Le Guin always makes my life as a reader and reviewer difficult? Her books can’t be nice, straightforward stories—no, she has to create lyric, moving pieces of experimental literature that transcend our ordinary definitions of form and genre. I have a problem with Always Coming Home, but that problem is entirely independent of the book itself. It is, rather, a result of me and my particular biases…

I was a little harsh on Robopocalypse. I said its subtext was spread thinly; it’s a thriller in a science fiction setting that seems to be bagging for a Michael Bay adaptation. I stand by those words. And Robogenesis isn’t much better. But it is better. Daniel H. Wilson throws in a few twists and expands on some of the characters, and the result is a more entertaining, slightly deeper, slightly more thought-provoking novel…

You don’t need to read Oryx and Crake prior to reading The Year of the Flood. The two novels take place concurrently (though this one does extend slightly beyond the other’s narrative, wrapping up the cliffhanger of Snowman discovering that other humans have survived). However, I would recommend you read them close together. I only read Oryx and Crake back in March, but even a short span of two months has obliterated a…

So, back when The Year of the Flood, Oryx and Crake’s contemporaneous sequel, came out, the great Ursula K. Le Guin wrote in The Guardian that she must honour Margaret Atwood’s wish not to have her novels labelled science fiction. She claims this restricts her ability to praise the book in the way she wants:

I could talk about her new book more freely, more truly, if I could talk about it as

…

So, it’s the future, and on your 18th “cycle” you can apply to ascend into the upper echelons of society, where you will no longer labour in an ash-filled purgatory of dreary hopelessness.

Why? This is a good question. The Phoenix Cycle doesn’t specify, so for all we know, the mysterious General does it for the lulz.

Last month I received a message from Robert Edward asking me to read his story. As far as…

Big Dumb Objects always provide an interesting starting point. The Stone, as the Americans christen the hollowed-out asteroid that appears above 21st-century Earth in Eon, is full of mysteries. It has the exact same profile as Juno, but much less mass, because someone has hollowed it out into seven enormous chambers. Could it be from humanity’s future? Or a possible future? And if so, does it hold the answers to avert a Russian-American nuclear…

Nancy Kress has fast become one of my favourite science fiction authors. Like most authors I’m a fan of, her works don’t always make it on my favourites list, but they always make me think. Kress often explores how technology affects humanity’s relationship with nature and our own biology. She continues to play with these themes in After the Fall, Before the Fall, During the Fall while adding in an ineffable alien menace and the…

Darkness Falling chronicles the struggle of several survivors as they realize they probably should have paid attention to that last zombie movie. It’s the end of the world as we know it, and genre savviness is nowhere to be found.

I checked out about halfway through the first act. I love reading on my tablet, but it’s so easy to get into the rhythm of tapping to turn the page, skimming through each page as…

Cloud Atlas is not as difficult to read as some of its reviews led me to expect. I suspect they did this because it is difficult to review (and I’m even going to be employing spoilers, though few and far between, those who have only a minor aversion to them will be happy to know). I’m going to ramble for a bit about my reactions to the book versus the movie and ruminate on the…

“Humans were dead, to begin with. There is no doubt whatsoever about that.”

That is perhaps how Dickens might have begun Saturn’s Children, if Dickens had somehow conceived of a near-future world in which humanity is extinct but its human-like robot servitors have kept on going. Charles Stross isn’t quite so economical in explaining this underlying fact, but he’s almost there. Through references to “pink goo” and “green goo” and the lack of prokaryotes…

Whereas delaying reading A Case of Exploding Mangoes for four years didn’t improve the experience, I am glad that I waited until now to read Muse of Fire. I recently read Much Ado About Nothing for the first time, in order to teach it to a Year 9 class, and being familiar with that play’s plot and characters definitely improved my comprehension of this Shakespeare-infused novella.

Dan Simmons banks on the continued popularity of…

Anthologies by a single author offer an opportunity to reflect upon that author’s particular areas of focus. Most authors tend to return time and again to the same motifs and themes. Nano Comes to Clifford Falls is a menagerie of Nancy Kress stories that involve nanotechnology, genetics, posthuman evolution, and very interesting meditations upon how aliens might visit Earth. Each story is unique, but put side by side, the similarities are clear, each story delivering…

One of science fiction’s most enduring traits is its ability to ruminate upon the ways in which science and technology allow us to manipulate and re-engineer society. In this sense, the distinction between soft and hard science fiction disappears—all science fiction is inherently social, for no matter how much detail goes into describing the technological advances that populate possible futures, the meat of the story is always the effect these technologies have on the people…