Books shelved under “Canlit”

Oh boy, I don’t know if this was the best time or worst time to read The Age of Insecurity. It was certainly A Time. Written just prior to Donald Trump’s second term as President of the United States, Astra Taylor’s Massey Lectures for 2023 nevertheless capture the zeitgeist of the 2020s with uncomfortable clarity and, dare I say, prescience. This book is not a salve for our age, alas, but it might be…

Two years ago I read an interesting little novelette by Ai Jiang and was intrigued. Now I’ve got a review copy of A Palace Near the Wind courtesy NetGalley, and I remain intrigued. Jiang once again harnesses her incredible talent for descriptive prose and layers atop that an impressive, tender style of characterization. I wanted to like this more than I did—and will explain why I didn’t—but I did like it quite a bit.

Liu…

Mmm, mmm, mmm. Heather O’Neill can serve it. As I reflected in my review of When We Lost Our Heads, her skill as a writer has only deepened and matured since its precocious and sublime debut almost two decades ago. The Capital of Dreams wasn’t as revelatory or enchanting for me, yet it was still a fascinating work of storytelling.

Sofia is a fourteen-year-old girl living in the Capital of Elysia, a fictional European…

Every so often I read a story that reminds me why I love stories and why I love reading in particular. Film and television are great—I watch a lot of both—yet there’s something about the collaboration of imagination between writer and reader that makes a book absolutely magical for its ability to transport the reader elsewhere. I read the eARC of The River Has Roots curled up on my couch on a Sunday afternoon, curled…

Tanya Huff is an author who deserves, in my opinion, far more hype than she seems to receive. First, she’s Canadian (represent!), she’s queer (represent!), and she writes fantasy novels that are unapologetically queer and even sometimes unapologetically Canadian (re-pruh-sent!). I often describe her as an author I like but don’t love in the sense that I’ve seldom given her books a glowing review—Sing the Four Quarters is the first time I’ve rated one…

When I try to explain why I read Emily St. John Mandel’s books, I don’t ever have a cogent explanation. “She’s Canadian,” I mumble, as if I am somehow bound by CRTC Cancon requirements. “She never writes two novels the same,” I grasp at straws of justification. Why do I feel the need to justify? Probably because her novels straddle genre with an uncomfortable liminality: science fiction but not science fiction, fantasy but not fantasy. …

Damn but William Gibson can write! I realize this might feel like a contradictory pronouncement to the one I made at the start of my review of The Peripheral, but I assure you the statements are compatible. I wasn’t aware of this sequel, Agency, until recently, but it was nice to pluck it from my library’s shelves. While you don’t need to have read the first book—this is a very loose sequel, with…

Although over a decade old at this point, Undoing Border Imperialism still feels relevant today in 2024—maybe even more urgent and important than it was when Harsha Walia first wrote and assembled it. Part how-to, part manifesto, part oral history, this compact volume works hard to syncretize different modes of resistance, from academic theory to grassroots activism. It is a volume I sorely needed to read as I navigate my own journey trying to figure…

Damn, I don’t think I can write a review that’s going to do this book justice. It’s not just because I’m a white woman, and I’m going to miss a thousand little elements that Alicia Elliott has put in her for her fellow Indigenous readers. It’s not just because I read this weeks ago and am behind on writing reviews, so my memory has faded a bit. No, it’s mostly because And Then She Fell…

Although I have never dealt with loss of this magnitude, I understand how it can reshape someone. Bad Cree is a story about the shape of loss, the way grief carves itself into your soul even when you think you haven’t let it. Jessica Johns uses traditional Cree stories to explore the power of family, of trusting yourself, and confronting those parts of yourself that you would prefer not to look at. It’s a “horror”…

Nearly four years ago (wow), I gushed over The House of Styx, a Venusian planetary romance that swept me off my feet and into the clouds of Earth’s harsh neighbour. If you haven’t read my (spoiler-free) review of that book, go do it now so I don’t have to retread all the praise I gave it—all of which applies to The House of Saints, and then some. Derek Künsken brings this duology to…

You’re not paranoid, the saying goes, if they are actually out to get you. That’s what Scott Warms and his friend, narrator Marty Hench, learns in The Bezzle. Cory Doctorow tackles the unscrupulous American private prison system in this book, demonstrating how capitalism’s death grip on the carceral state has resulted in harm beyond the physical cruelty of solitary confinement or guards turning an eye to violence. Nowadays, it costs people money to be…

With most memoirs, I already have a good sense of who the author is, like in the case of Making It So, and I’ve picked up the memoir because I’m interested in hearing their story in their own words. In the case of But Everyone Feels This Way, I hadn’t heard of Paige Layle before. Instagram recommended a Reel by her. I don’t remember the Reel or what she said in it, but…

I read and reviewed my first M.G. Vassanji novel in 2009, when I was nineteen years old, making it among one of the earliest reviews I wrote, about a year into this project. It’s wild, going back and reading those old reviews. Kara of 2009 was so young, and self-deprecating: “I suspect that when I revisit this book as an older, more experienced person, I will see additional facets of the story that escaped…

C.L. Polk is fast becoming one of my favourite fantasy authors (love that they are Canadian to boot, eh). Even Though I Knew the End is everything I want in a novella: fast pace, great worldbuilding, and a protagonist I can get behind without too much exposition.

Helena, aka Elena, was once in training to be a “mystic,” one of few women accepted to the very sexist Brotherhood. Then she made a demonic deal, sold…

Almost a exactly a year ago, I read the first and second books in The Keeper Chronicles. Now we conclude this trilogy with Long Hot Summoning. Tanya Huff increases the role of Claire’s younger sister, Diana, giving her a Summoning of her own and more responsibility for saving the world. It’s a fresh and fun adventure with much of the charm but also most of the flaws of the first two books. Also,…

This is one of those books I heard so much buzz about I nearly didn’t read it just to be contrary—and what a mistake that would have been. Kate Heartfield’s fantastical take on the lives of two queens—Marie Antoinette and her sister Maria Carolina, also known as Charlotte—at the end of the Enlightenment is exactly the kind of historical fiction I love. From 1768 to 1793, The Embroidered Book charts the rise and fall of…

Once again Heather O’Neill proves her ability to cut deep. When We Lost Our Heads is an invigorating, frustrating, dark, beautiful, terrible tragedy. As much as I loved Lullabies for Little Criminals, I think if I went back and reread the book for a third time I would be more critical of it now—both because I’m older and because O’Neill’s writing has improved since then. When We Lost Our Heads displays a mastery over…

It feels like I have had this Massey Lectures book forever, always next on the to-read list, always another nonfiction book slipping in and taking its place but finally, finally I’ve sat down and given Esi Edugyan the time she deserves here. Out of the Sun is a great example of what the Massey Lectures can be: give someone the platform to talk about whatever they want, basically, but in a way that is…

It’s no secret that I love stories about storytelling. Similarly, as much as I love a good action-packed epic, slow stories have their own unique virtues. Close Your Eyes: A Fairy Tale is such a slow story about stories—and in particular, how the stories we tell about ourselves and one another shape our choices in life. Chris Tomasini uses the backdrop of fifteenth-century Europe and crafts a small, memorable cast of characters. I enjoyed the…