Here we are, book three of amanda lovelace’s women are some kind of magic series. Last year I read the witch doesn’t burn in this one and remarked that it was much more focused than the first book. In her afterword to this book, lovelace reflects that the mermaid’s voice returns in this one has also shifted focus: now it’s about rebuilding, about healing and moving on from trauma, while also coming to terms with…
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We’ll skip the boring part about how I don’t usually read poetry and yadda yadda but this one is an exception blah blah, OK? I’ve had this on my to-read list for a while—in addition to the intriguing title, amanda lovelace is asexual (or ace-spec), so that increased my interest. Then one of my IRL friends read and highly recommended it, so I borrowed a copy, and here I am. Reading poetry!
If I…
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Last October I finally read the princess saves herself in this one, the first of these poetry collections by amanda lovelace. It had been on my to-read list for a while, but it took my friend Rebecca reading it and lending me her copy to actually get around to it. This time, I saw the witch doesn’t burn in this one in Chapters while buying a copy of the first book as a birthday…
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I think I finally have the answer if someone ever asks me who my favourite poet is. Longtime readers of my reviews will know of my ambivalence towards poetry. I don’t want to malign an entire form, yet at the same time poetry has never transported me the same way a novel does. Until, that is, I started reading amanda lovelace’s poems. My reviews of the mermaid’s voice returns in this one and her earlier…
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Last month I adored break your glass slippers and bought all of amanda lovelace’s books that I didn’t already own. to make monsters out of girls was one of these books. For some reason, after re-reading Pretending I decided I wanted to add to my emotional devastation by reading this poetry book.
All of lovelace’s books deal with the trauma of abusive/toxic relationships in some way. to make monsters out of girls, though, focuses…
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The conclusion to the duology began with to make monsters out of girls, to drink coffee with a ghost follows amanda lovelace’s processing of her grief over the death of her mother. This includes poems that focus on her mother’s nurturing qualities as well as her mother’s toxic or abusive qualities. Later, the focus of the poetry shifts to moving on, finding love and solace in a partner, and realizing that is possible to…