Obsessions are dangerous, yet they are also so human. They drive the most amazing and visionary projects—and fuel the darkest, most horrible passions. Obsessions play a fundamental role in The Cutting Room, both in the actions of the dead antagonist and in Rilke, the protagonist and auctioneer who stumbles across snuff photographs while processing an estate and begins to wonder if they are real.
I'll call this a mystery, because it is, but it's…